











ENTRE ’21<\/strong><\/h1>\nINSTALLATION BY PIM VOORNEMAN
\nfor Unlocked\/Reconnected<\/h1>\n+ accents from a private collection<\/h1>\n04-06-20 > 12-07-20.<\/h1>\n
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<\/div>[vc_column_text]Let\u2019s celebrate! Since the 1st<\/sup> of June, cultural institutions have opened their doors again after a period of closure due to the corona lockdown. To not let this moment slip by unnoticed, over two hundred cultural institutions in The Netherlands are participating in the collective exhibition Unlocked\/Reconnected<\/u><\/em><\/a>. Every institution selects one artwork that reflects on the meaning of \u2018home\u2019 and shows it in its entrance.<\/p>\nFor Parts Project, Pim Voorneman made the installation Entre \u201921<\/em>, a work that makes the transition between \u2018closed\u2019 and \u2018open\u2019 palpable. Entre <\/em>(French\u00a0for\u00a0\u2018between\u2019) is an installation about place, time and contemplation. As can be expected of Voorneman, he brings about an interplay of different elements that is both disruptive and intellectual, together form a web of meaning.<\/p>\nWith the current world news of BBC World Service playing continually in the background, the visitor moves through three parts of the installation: #1 Antichambre, #2 How Soon is Now?<\/em>\u00a0and\u00a0#3 La Calisto<\/em>.\u00a0With the title Antichambre<\/em>, Voorneman refers to the reception area, with How Soon is Now?<\/em> to the eponymous number by the British pop group The Smiths about social isolation and craving love. The third part refers to the seventeenth-century Italian opera La Calisto<\/em>\u00a0<\/em>by Cavalli, in which themes such as longing, expectation, temporality and eternity come together. These grand themes are highlighted directly and indirectly by the carefully selected objects Voorneman displays in Entre \u201921<\/em>. He invites the viewer to rethink concepts that have acquired new significance in recent events: change and continuity, inside and outside, physical and mental space.<\/p>\nVoorneman doesn\u2019t take the definition of \u2018entrance\u2019 literally and takes over nearly the whole floor of Parts. In the remaining space, accents from a private collection have been put on view, amongst others Robert Holyhead, Marijn van Kreij, Samara Scott and Philomene Pirecki.<\/p>\n
@unlockedreconnected<\/u><\/a><\/p>\n <\/p>\n
Unlocked\/Reconnected<\/em>\u00a0is an initiative of D\u00fcrst Britt & Mayhew and tegenboschvanvreden.<\/p>\n <\/p>\n
Review on Chmkoome’s blog<\/a> (in Dutch only)
\nReview on Villa Next Door 2<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row bg_type=”bg_color” ult_hide_row=”ult_hide_row_value” ult_hide_row_tablet_small=”xs_tablet” ult_hide_row_mobile=”mobile” ult_hide_row_mobile_large=”xl_mobile” bg_color_value=”#ffffff”][vc_column width=”1\/2″][\/vc_column][vc_column width=”1\/2″][vc_empty_space height=”25px”]
\nfor Unlocked\/Reconnected<\/h1>\n
+ accents from a private collection<\/h1>\n04-06-20 > 12-07-20.<\/h1>\n
For Parts Project, Pim Voorneman made the installation Entre \u201921<\/em>, a work that makes the transition between \u2018closed\u2019 and \u2018open\u2019 palpable. Entre <\/em>(French\u00a0for\u00a0\u2018between\u2019) is an installation about place, time and contemplation. As can be expected of Voorneman, he brings about an interplay of different elements that is both disruptive and intellectual, together form a web of meaning.<\/p>\n With the current world news of BBC World Service playing continually in the background, the visitor moves through three parts of the installation: #1 Antichambre, #2 How Soon is Now?<\/em>\u00a0and\u00a0#3 La Calisto<\/em>.\u00a0With the title Antichambre<\/em>, Voorneman refers to the reception area, with How Soon is Now?<\/em> to the eponymous number by the British pop group The Smiths about social isolation and craving love. The third part refers to the seventeenth-century Italian opera La Calisto<\/em>\u00a0<\/em>by Cavalli, in which themes such as longing, expectation, temporality and eternity come together. These grand themes are highlighted directly and indirectly by the carefully selected objects Voorneman displays in Entre \u201921<\/em>. He invites the viewer to rethink concepts that have acquired new significance in recent events: change and continuity, inside and outside, physical and mental space.<\/p>\n Voorneman doesn\u2019t take the definition of \u2018entrance\u2019 literally and takes over nearly the whole floor of Parts. In the remaining space, accents from a private collection have been put on view, amongst others Robert Holyhead, Marijn van Kreij, Samara Scott and Philomene Pirecki.<\/p>\n @unlockedreconnected<\/u><\/a><\/p>\n <\/p>\n Unlocked\/Reconnected<\/em>\u00a0is an initiative of D\u00fcrst Britt & Mayhew and tegenboschvanvreden.<\/p>\n <\/p>\n Review on Chmkoome’s blog<\/a> (in Dutch only)
\nReview on Villa Next Door 2<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row bg_type=”bg_color” ult_hide_row=”ult_hide_row_value” ult_hide_row_tablet_small=”xs_tablet” ult_hide_row_mobile=”mobile” ult_hide_row_mobile_large=”xl_mobile” bg_color_value=”#ffffff”][vc_column width=”1\/2″][\/vc_column][vc_column width=”1\/2″][vc_empty_space height=”25px”]